Have you ever had a situation where you do/say/create something with a certain intent (or no intent), then somebody else comes along and puts their own spin on it and completely changes your original idea into something you never intended or never actually even imagined somebody would think of when you originated that thought or idea? Such is the case with VERBOTEN – the sock monkey that dare not show her face.
During a production of Lucia di Lamermoor at Seattle Opera last season, it was our good fortune to have among the supernumaries Miss Rosetta Greek. Rosetta is one of the coolest, most creative people I know – she is the kick-ass proprietress of Heavens To Betsie, and a very talented actress. She also inspired me to start my own sock monkeys after she created the beautiful Mermonkey, Atlantis, a few years ago. So it wasn’t difficult to decide I wanted to make a sock monkey for Rosetta based on her character, The Love-Cursed Bride, in the opera.
I wanted to do something different for this monkey – a different look and I wanted it to be special for Rosetta. I found a pair of gray, vintage socks I thought would be perfect for a ghost, I had some lovely silk for the wedding gown and matching gloves (trimmed with real vintage mother-of-pearl buttons from Aunt Fofo’s button box), I made her a real boned corset, some lace-trimmed bloomers and I hand beaded the veil similar to what was on her original costume. She is beautiful! But that’s not quite the end of the story.
As you’ve seen from my other posts, I had a show at McCaw Hall during the opera’s production of Porgy and Bess over the summer. I submitted photos of my work and I got the green light that I was chosen to exhibit. Then the problems began. When you assemble a sock monkey, the heel becomes the head, face and mouth of it. My ghostly gray sock had a black heel, so the monkey had a black head, face and mouth. I received an email a couple weeks before the show that the Ghost Bride would not be allowed in the show because it would “potentially offend patrons.” Huh? This was followed by another email a few days later telling me I could not refer to my work as “sock monkeys” because the term “monkey” was used to negatively refer to African Americans. Wow. And this is 2011?
I found it rather difficult to believe that anyone was going to look at my work and read it as offensive (so not what this project/endeavor has ever been about), but I offered to call them “sock puppets” (even thought they’re not) and be done with it. I did find it interesting that the Seattle Opera’s blog showed photos of the Ghost Bride and referred to my work as sock monkeys, but then I wasn’t in charge of that, was I?
Anyway, the show got a lot of positive feedback, Rosetta was thrilled with her monkey, my friend Rozarii did an amazing photo of her, and I think she’s still my favorite. After all the “trouble” she caused, Rosetta decided to name her Verboten, which I think is absolutely perfect. And just in case you’re wondering, they were called sock monkeys when they were invented 70+ years ago and they have tails like real monkeys do. What do you think?